Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 40cms x 30cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 40cms x 30cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 40cms x 30cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 40cms x 30cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 46cms x 43cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 45cms x 35cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 53cms x 36cms
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.
Monoprint
Medium Used: OIL ON PAPER
Year of Painting: 2005
Painting Size: 33cms x 18cms
Painting Description
As you take in these spare, gauze like forms, or those other weavings and workings out of suture like designs, you realize that the artist is uncompromising, that she does not allow the usual concessions of bright colours or broad subject matter to the lazy viewer. Here the artist seems to be getting down to the very warp and woof of the material world, she does not mean to denude this, or to reify it, rather the attempt is to introduce us to nature’s extraordinary strengths and intricate complexity.