Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 152cms x 152cms
There is a true tenderness to the painter’s touch, and so whether particular work be ink on paper, pastel, oil, or whatever medium. Sangeeta Gupta is evidently protective towards the defenseless flower of all nature. She treats each of nature’s creations with a loving eye. By such intrinsic, spontaneous, affection she transcribes branches, stem, trunk, and all that, into artistic space with a fine precision. Only the authentic contours of the observed reality are recreated with sufficient imaginative selectivity. Thus her earlier cacti, and as of course her endearing owls. But even objects like stones have been showered by her similar appreciative attention.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 152cms x 152cms
Having observed the growth of Sangeeta Gupta’s art-works during the last several years, as well as being aware of the trials of the working women under difficult urban conditions, I am of the firm opinion that she is not unfavoured by the muses, and that therefore she is able to treat us to an innerly formatting work in joyful health and not sickness, as so often. The fact that this work has branched out in different directions over a course of time testifies to this observation.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 46cms x 46cms
To survive independently in the ‘asphalt jungle of the day, you have perforce to use your self-regarding moves to the hilt. But even as you return back home after this war of wits each sunset, the neglected something in your deep subconscious demands fulfillment and will not be denied expression. Well, at least in the case of the more conscientious amongst us, the inner unrest finds a life-confirming materialization.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 46cms x 46cms
I do believe that the artist in Sangeeta Gupta is intrinsically live, and it is for this very cause she is unlikely to rest on her laurels in time to come. As with good artists, there may well be new achievements, but soon is renewed, the eager search for fresh and unknown pastures. In such departures is certainly an artists eternal self-renewal.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 61cms x 91cms
The clarity and directness of this genre gives it an unusual strength. Nothing ever is added for effect, for the painter is intent upon catching the truth of things alone, and not their secondary, more ephemeral qualities. In this way these compositions gain in value considerably.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 61cms x 91cms
There is a true tenderness to the painter’s touch, and so whether particular work be ink on paper, pastel, oil, or whatever medium. Sangeeta Gupta is evidently protective towards the defenseless flower of all nature. She treats each of nature’s creations with a loving eye. By such intrinsic, spontaneous, affection she transcribes branches, stem, trunk, and all that, into artistic space with a fine precision. Only the authentic contours of the observed reality are recreated with sufficient imaginative selectivity. Thus her earlier cacti, and as of course her endearing owls. But even objects like stones have been showered by her similar appreciative attention.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 46cms x 46cms
Having observed the growth of Sangeeta Gupta’s art-works during the last several years, as well as being aware of the trials of the working women under difficult urban conditions, I am of the firm opinion that she is not unfavoured by the muses, and that therefore she is able to treat us to an innerly formatting work in joyful health and not sickness, as so often. The fact that this work has branched out in different directions over a course of time testifies to this observation.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 46cms x 46cms
To survive independently in the asphalt jungle of the day, you have perforce to use your self-regarding moves to the hilt. But even as you return back home after this war of wits each sunset, the neglected something in your deep subconscious demands fulfillment and will not be denied expression. Well, at least in the case of the more conscientious amongst us, the inner unrest finds a life-confirming materialization.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 46cms x 46cms
I do believe that the artist in Sangeeta Gupta is intrinsically live, and it is for this very cause she is unlikely to rest on her laurels in time to come. As with good artists, there may well be new achievements, but soon is renewed, the eager search for fresh and unknown pastures. In such departures is certainly an artists eternal self-renewal.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2014
Painting Size: 46cms x 46cms
The clarity and directness of this genre gives it an unusual strength. Nothing ever is added for effect, for the painter is intent upon catching the truth of things alone, and not their secondary, more ephemeral qualities. In this way these compositions gain in value considerably.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2013
Painting Size: 46cms x 46cms
There is a true tenderness to the painter’s touch, and so whether particular work be ink on paper, pastel, oil, or whatever medium. Sangeeta Gupta is evidently protective towards the defenseless flower of all nature. She treats each of nature’s creations with a loving eye. By such intrinsic, spontaneous, affection she transcribes branches, stem, trunk, and all that, into artistic space with a fine precision. Only the authentic contours of the observed reality are recreated with sufficient imaginative selectivity. Thus her earlier cacti, and as of course her endearing owls. But even objects like stones have been showered by her similar appreciative attention.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2013
Painting Size: 46cms x 46cms
Having observed the growth of Sangeeta Gupta’s art-works during the last several years, as well as being aware of the trials of the working women under difficult urban conditions, I am of the firm opinion that she is not unfavoured by the muses, and that therefore she is able to treat us to an innerly formatting work in joyful health and not sickness, as so often. The fact that this work has branched out in different directions over a course of time testifies to this observation.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2013
Painting Size: 46cms x 46cms
To survive independently in the asphalt jungle of the day, you have perforce to use your self-regarding moves to the hilt. But even as you return back home after this war of wits each sunset, the neglected something in your deep subconscious demands fulfillment and will not be denied expression. Well, at least in the case of the more conscientious amongst us, the inner unrest finds a life-confirming materialization.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2013
Painting Size: 127cms x 102cms
I do believe that the artist in Sangeeta Gupta is intrinsically live, and it is for this very cause she is unlikely to rest on her laurels in time to come. As with good artists, there may well be new achievements, but soon is renewed, the eager search for fresh and unknown pastures. In such departures is certainly an artists eternal self-renewal.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2013
Painting Size: 71cms x 36cms
The clarity and directness of this genre gives it an unusual strength. Nothing ever is added for effect, for the painter is intent upon catching the truth of things alone, and not their secondary, more ephemeral qualities. In this way these compositions gain in value considerably.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2013
Painting Size: 71cms x 36cms
There is a true tenderness to the painter’s touch, and so whether particular work be ink on paper, pastel, oil, or whatever medium. Sangeeta Gupta is evidently protective towards the defenseless flower of all nature. She treats each of nature’s creations with a loving eye. By such intrinsic, spontaneous, affection she transcribes branches, stem, trunk, and all that, into artistic space with a fine precision. Only the authentic contours of the observed reality are recreated with sufficient imaginative selectivity. Thus her earlier cacti, and as of course her endearing owls. But even objects like stones have been showered by her similar appreciative attention.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2012
Painting Size: 127cms x 102cms
Having observed the growth of Sangeeta Gupta’s art-works during the last several years, as well as being aware of the trials of the working women under difficult urban conditions, I am of the firm opinion that she is not unfavoured by the muses, and that therefore she is able to treat us to an innerly formatting work in joyful health and not sickness, as so often. The fact that this work has branched out in different directions over a course of time testifies to this observation.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 92cms x 92cms
To survive independently in the asphalt jungle of the day, you have perforce to use your self-regarding moves to the hilt. But even as you return back home after this war of wits each sunset, the neglected something in your deep subconscious demands fulfillment and will not be denied expression. Well, at least in the case of the more conscientious amongst us, the inner unrest finds a life-confirming materialization.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2006
Painting Size: 127cms x 102cms
Ecstasy and uplift, the euphoric dance performed by the artist’s brush; the material of her choreography’s not the actually moving figures of dancers, with all their range or gestures. No, her dancers are gesturing lines and the colours of her painting, and by which she also touches the heart.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2006
Painting Size: 127cms x 102cms
The work is not a copy of life, no mirror held up to the outward appearances that so often mask the inward distress. Rather, the art form has cut through to the vitality beneath and interpenetrate, enchanting, ravishing colour combinations.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2006
Painting Size: 127cms x 102cms
Pure rhythmic movement: the thrust and sweep of lines, spreading as if from an energizing spiral core in endless permutations and combinations. Each perfectly organized in relation to the other. Sheer beauty of movement expressed in terms of poise, grace, and elan vital.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2006
Painting Size: 127cms x 102cms
The artist as though giving fullest expression to her effortlessly mutating forms. Technique? To a ballet of the heart’s needle. The points and punctuations on the picture plane now dripping, now rising into free flight; now gravitating then galvanizing around a centre.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2006
Painting Size: 127cms x 102cms
Layering, grading, texturing and highlights have remained the keystones of Sangeeta’s works in the recent years. Experimenting with varying tools she has delivered works that fill the length and breadth of the canvass in an unending continuum of tones and textures, like a universe laid bare, as ready for speculation as for meditation, exuding a magnificence that stretches from consciousness to infinity, fragments lifted in frames as works of art.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2006
Painting Size: 127cms x 102cms
It must undoubtedly have been an exhilarating and rejuvenating experience, externalised in paintings, progressively better composed, emanating the calm, balance and equanimity exuding necessarily from within.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 183cms x 183cms
Gradually, in the process of looking inwards, Sangeeta discovered within her self stirrings made up of hues and colours, boundless yet layered by countless textures, surfacing to the fore as she took up the brush, almost as a process of meditation.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 183cms x 183cms
One still remembers Sangeeta Gupta’s paintings of cacti way back in the early 90s, as she was starting out as a painter. She has moved steadily, though not slowly, to gain much ground with her art, even as she came to terms with all that life dealt on her.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 122cms x 46cms
Initially she did water colour, drawing and figurative but now she has been indefatigably working in oil and acrylic with total devotion. For her art gives life meaning.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 183cms x 61cms
The artist is seen pressing on beyond the boundaries of the visible into the realm of energy hid in our minds. Her lines, shapes and colours are thereby certainly charged with spiritualized sensations.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 183cms x 61cms
Ecstasy and uplift, the euphoric dance performed by the artist’s brush; the material of her choreography not the actually moving figures of dancers, with all their range or gestures. No, her dancers are gesturing lines and the colours of her painting, and by which she also touches the heart.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 183cms x 61cms
The work is not a copy of life, no mirror held up to the outward appearances that so often mask the inward distress. Rather, the art form has cut through to the vitality beneath and interpenetrate, enchanting, ravishing colour combinations.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102cms
The artist as though giving fullest expression to her effortlessly mutating forms. Technique? To a ballet of the heart’s needle. The points and punctuations on the picture plane now dripping, now rising into free flight; now gravitating then galvanizing around a centre.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102cms
Layering, grading, texturing and highlights have remained the keystones of Sangeeta’s works in the recent years. Experimenting with varying tools she has delivered works that fill the length and breadth of the canvass in an unending continuum of tones and textures, like a universe laid bare, as ready for speculation as for meditation, exuding a magnificence that stretches from consciousness to infinity, fragments lifted in frames as works of art.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102cms
It must undoubtedly have been an exhilarating and rejuvenating experience, externalised in paintings, progressively better composed, emanating the calm, balance and equanimity exuding necessarily from within.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102cms
Gradually, in the process of looking inwards, Sangeeta discovered within her self stirrings made up of hues and colours, boundless yet layered by countless textures, surfacing to the fore as she took up the brush, almost as a process of meditation.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102cms
One still remembers Sangeeta Gupta’s paintings of cacti way back in the early 90s, as she was starting out as a painter. She has moved steadily, though not slowly, to gain much ground with her art, even as she came to terms with all that life dealt on her.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102cms
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 92cms x 92cms
The artist is seen pressing on beyond the boundaries of the visible into the realm of energy hid in our minds. Her lines, shapes and colours are thereby certainly charged with spiritualized sensations.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 102cms x 127cms
The painting Gentle Gesture, Flowing Lines, Silken Movement represents Ecstasy and uplift, the euphoric dance performed by the artist’s brush; the material of her choreography not the actually moving figures of dancers, with all their range or gestures. No, her dancers are gesturing lines and the colours of her painting, and by which she also touches the heart.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127 cms x 102 cms
The work is not a copy of life, no mirror held up to the outward appearances that so often mask the inward distress. Rather, the art form has cut through to the vitality beneath and interpenetrate, enchanting, ravishing colour combinations.
Medium Used: ACRYLIC ON CANVAS
Year of Painting: 2010
Painting Size: 127cms x 102 cms
Pure Rhythmic Movement : the thrust and sweep of lines, spreading as if from an energizing spiral core in endless permutations and combinations. Each perfectly organized in relation to the other. Sheer beauty of movement expressed in terms of poise, grace, and elan vital. The artist as though giving fullest expression to her effortlessly mutating forms. Technique ? To a ballet of the heart’s needle. The points and punctuations on the picture plane now dripping, now rising into free flight; now gravitating then galvanizing around a centre.